Twilight 2008 Movie Cast
Kristen Stewart as Bella Swan. Robert Pattinson as Edward Cullen. Billy Burke as Charlie Swan. The sequels became increasingly silly and overwrought but the original Twilight (2008) is.
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The Twilight Saga | |
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Directed by | Catherine Hardwicke (1) Chris Weitz (2) David Slade (3) Bill Condon (4-5) |
Produced by | Wyck Godfrey (1-5) Mark Morgan (1) Greg Mooradian (1) Karen Rosenfelt (2-5) Stephenie Meyer (4-5) |
Screenplay by | Melissa Rosenberg (1-5) |
Based on | Twilight series by Stephenie Meyer |
Starring | |
Music by | Carter Burwell (1, 4-5) Alexandre Desplat (2) Howard Shore (3) |
Cinematography | Elliot Davis (1) Javier Aguirresarobe (2-3) Guillermo Navarro (4-5) |
Edited by | Nancy Richardson (1, 3) Peter Lambert (2) Art Jones (3) Virginia Katz (4-5) Ian Slater (5) |
Temple Hill Entertainment (1-5) Maverick Films (1, 3) Imprint Entertainment (1-3) Sunswept Entertainment (2-5) | |
Distributed by | Summit Entertainment (1-5) |
2008-2012 | |
Running time | 607 minutes (1-5, combined theatrical cuts) 634 minutes (1-5, combined extended editions) |
Country | United States |
Language | English |
Budget | Total (5 films): $385,000,000 |
Box office | Total (5 films): $3,346,157,056 |
The Twilight Saga is a series of five romancefantasy films from Summit Entertainment based on the four novels by American author Stephenie Meyer. The films star Kristen Stewart, Robert Pattinson, and Taylor Lautner. The series has grossed over $3.3 billion in worldwide receipts. The first installment, Twilight, was released on November 21, 2008.[1] The second installment, New Moon, followed on November 20, 2009, breaking box office records as the biggest midnight screening and opening day in history, grossing an estimated $72.7 million.[2] The third installment, Eclipse, was released on June 30, 2010,[3] and was the first Twilight film to be released in IMAX.[4]
The series was in development since 2004 at Paramount Pictures, during which time a screen adaptation of Twilight that differed significantly from the novel was written.[5][6] Three years later, Summit Entertainment acquired the rights to the film. After Twilight grossed $35.7 million on its opening day,[7] Summit Entertainment announced they would begin production on New Moon; they had acquired the rights to the remaining novels earlier that same month.[8] A two-part adaptation of Breaking Dawn began shooting in November 2010 with release dates of November 18, 2011, and November 16, 2012, respectively.[9][10][11]
- 4Films
- 5Soundtracks
- 6Reaction
Development[edit]
Twilight was in development for approximately three years at Paramount Pictures's MTV Films, during which time a screen adaptation differing significantly from the novel was written.[5][6] For example, the script transformed Bella into a star athlete. Stephenie Meyer stated that there was some debate in allowing the movie to be made because of the negative or positive outcome of the movie compared to the book, 'They could have put that [earlier] movie out, called it something else, and no one would have known it was Twilight!' The idea of seeing a scene converted correctly, specifically the meadow scene, convinced Meyer to sell the rights. In seeing the script, she was frightened that she had made the wrong decision. When Summit Entertainment reinvented itself as a full-service studio in April 2007, it successfully acquired the rights to the novel. Erik Feig, President of Production at Summit Entertainment, guaranteed a close adaptation to the book.[12] The company perceived the film as an opportunity to launch a franchise based on the success of Meyer's book and its sequels.[13][14] Meyer felt that Summit was open to letting her be a part of the film. Catherine Hardwicke was hired to direct the film, and soon afterward, Melissa Rosenberg was selected to be the film's structural base as the writer of the film.[15]
Rosenberg developed an outline by the end of August and collaborated with Hardwicke on writing the screenplay during the following month. 'She was a great sounding board and had all sorts of brilliant ideas.. I'd finish off scenes and send them to her, and get back her notes.'[16] Because of the impending WGA strike, Rosenberg worked full-time to finish the screenplay before October 31.[16] In adapting the novel for the screen, she 'had to condense a great deal.' Some characters were left out, and others were combined.[17] '[O]ur intent all along was to stay true to the book,' Rosenberg explained, 'and it has to do less with adapting it word for word and more with making sure the characters' arcs and emotional journeys are the same.'[18] Hardwicke suggested the use of voice over to convey the protagonist's internal dialogue,[16] since the novel is told from Bella's point of view; and she sketched some of the storyboards during pre-production.[19]
Meyer, the author, and Hardwicke, the director, had a close relationship while developing Twilight. Hardwicke wanted to embrace the experience and make the characters in the books come to life. She would call Meyer after changing a scene slightly, which surprised the author because, 'I've heard the stories..I know it's not normally like that when you adapt a book.' Meyer, a natural pessimist, was waiting for the worst but, instead, called her experience in the book's film adaptation 'the best I could have hoped for.'[5][6]
Originally scheduled for release in December 2008, Twilight was moved to a worldwide release of November 21, 2008, after Harry Potter and the Half-Blood Prince moved from a November 2008 release to being released in July 2009.[1]
Casting[edit]
Kristen Stewart was on the set of Adventureland when Hardwicke visited her for an informal screen test, which 'captivated' the director.[5] Hardwicke did not initially choose Robert Pattinson for the role of Edward Cullen; but, after an audition at her home with Stewart, he was selected.[5] Meyer allowed Pattinson to view a manuscript of the unfinished Midnight Sun, which chronicles the events in Twilight from Edward's point of view.[20][21] Meyer was 'excited' and 'ecstatic' in response to the casting of the two main characters.[22] She had expressed interest in having Emily Browning and Henry Cavill cast as Bella and Edward, respectively, prior to pre-production.[23]
Peter Facinelli was not originally cast as Carlisle Cullen: '[Hardwicke] liked [him], but there was another actor that the studio was pushing for.'[24] For unknown reasons, that actor was not able to play the part, and Facinelli was selected in his place.[24] The choice of Ashley Greene to portray Alice Cullen was criticized by some fans because Greene is 7 inches (18 cm) taller than her character as described in the novel. Meyer said that Rachael Leigh Cook resembled her vision of Alice.[25]Nikki Reed had previously worked with Hardwicke on the successful Thirteen (2003), which they co-wrote, and Lords of Dogtown (2005).
Kellan Lutz was in Africa, shooting the HBOminiseriesGeneration Kill, when the auditions for the character of Emmett Cullen were conducted. The role had already been cast by the time the HBO production ended in December 2007, but the selected actor 'fell through'. Lutz subsequently auditioned and was flown to Oregon, where Hardwicke personally chose him.[26]
Rachelle Lefèvre wanted a role in the film because Hardwicke was director; she saw 'the potential to explore a character, hopefully, over three films'; and she wanted to portray a vampire.[27] '[She] thought that vampires were basically the best metaphor for human anxiety and questions about being alive.'[27]Christian Serratos initially auditioned for Jessica Stanley, but she 'fell totally in love with Angela' after reading the books and took advantage of a later opportunity to audition for Angela Weber.[28] The role of Jessica Stanley went to Anna Kendrick, who got the part after two mix-and-match auditions with various actors.[29]
Because of major physical changes that occur in the character of Jacob Black between Twilight and New Moon, director Chris Weitz considered replacing Taylor Lautner in the sequel with an actor who could more accurately portray 'the new, larger Jacob Black.'[30] Trying to keep the role, Lautner worked out extensively and put on 30 lbs.[31] In January 2009, Weitz and Summit Entertainment announced that Lautner would continue as Jacob in The Twilight Saga: New Moon.[32]
Twilight author Stephenie Meyer[6]
In late March 2009, Summit Entertainment released a list of the actors who would be portraying the 'wolf pack' alongside Lautner. The casting for the rest of the Quileute people was headed by casting director Rene Haynes, who has worked on films with large American Indian casts, such as Dances with Wolves and Bury My Heart at Wounded Knee.[33]
In mid-2009, it was announced that Bryce Dallas Howard would be replacing Rachelle Lefevre as Victoria for the third Twilight film, The Twilight Saga: Eclipse. Summit Entertainment attributed the change to scheduling conflicts. Lefevre said she was 'stunned' and 'greatly saddened' by the decision.[34]Jodelle Ferland was cast as the newly turned vampire, Bree.[35] Other new cast members for the third film include Xavier Samuel as Riley,[36]Jack Huston as Royce King II,[37]Catalina Sandino Moreno as Maria,[38] Julia Jones as Leah Clearwater,[35] and BooBoo Stewart as Seth Clearwater.[35]
Production[edit]
Principal photography for Twilight took 44 days,[39] after more than a week of rehearsals,[40] and completed on May 2, 2008.[41] Similar to her directorial debut Thirteen, Hardwicke opted for an extensive use of hand-held cinematography to make the film 'feel real'.[24][42] Meyer visited the production set three times, and was consulted on different aspects of the story;[43] she also has a brief cameo in the film.[44] To make their bodily movements more elegant, and to get used to their characters' fighting styles, the cast playing vampires participated in rehearsals with a dance choreographer and observed the physicality of different panthera.[24][25][45] Instead of shooting at Forks High School itself, scenes taking place at the school were filmed at Kalama High School[46] and Madison High School.[47] Other scenes were also filmed in St. Helens, Oregon,[48] and Hardwicke conducted some reshooting in Pasadena, California, in August.[39][49]
In early November 2008, Summit announced that they had obtained the rights to the remaining books in Stephenie Meyer's Twilight series: New Moon, Eclipse, and Breaking Dawn.[8] On November 22, 2008, one day after the theatrical release of Twilight, Summit confirmed that they would begin working on New Moon. Melissa Rosenberg had been working on adapting the novel prior to Twilight's release[50] and handed in the draft for New Moon during Twilight's opening weekend in November 2008.[51]
In early December 2008, it was announced that Twilight director Catherine Hardwicke would not be returning to direct the sequel. Hardwicke cited time restrictions as the reason behind her leaving the project.[52] Instead, Chris Weitz, director of The Golden Compass and co-director of American Pie, was hired to direct The Twilight Saga: New Moon.[53] Filming for New Moon began in Vancouver in late March 2009,[54][55] and in Montepulciano, Italy, in late May 2009.[56][57]
In early 2009, before the release of The Twilight Saga: New Moon, Summit confirmed that they would begin production on The Twilight Saga: Eclipse. Since Weitz would be in post-production for New Moon when The Twilight Saga: Eclipse began shooting, he would not be directing the third film.[58][59] Instead, The Twilight Saga: Eclipse was helmed by director David Slade, with Melissa Rosenberg returning as screenwriter.[60] Filming began on August 17, 2009 at Vancouver Film Studios[61] and finished in late October, with post-production beginning early the following month.[62] In April 2010, it was revealed that re-shoots of the film were needed. Slade, who previously said he would not be around for them, was seen, along with Stephenie Meyer, on set. The three main stars were also present.[63]
Wyck Godfrey, producer of the previous films in the series, stated in mid-2009 that they had every intention to make the film version of Breaking Dawn.[64] Following months of speculation and cast rumors,[9][65] it was officially announced on April 28, 2010, that Academy Award winnerBill Condon, who directed Gods and Monsters and Dreamgirls, would direct Breaking Dawn; producing the film will be Wyck Godfrey, Karen Rosenfelt, and author Stephenie Meyer. 'I'm very excited to get the chance to bring the climax of this saga to life on-screen. As fans of the series know, this is a one-of-a-kind book – and we're hoping to create an equally unique cinematic experience,' said Bill Condon. A November 18, 2011 release date has been set for the first part, while the second is scheduled for release on November 16, 2012.[11][66][67] Following that announcement, Summit officially confirmed that a two-part adaption of the fourth book would start production in the fall on June 11, 2010.[68] With this announcement, it was made clear that all major actors, including the three lead roles, the Cullen family, and Charlie Swan, would return for both parts.[68]Bill Condon was also confirmed to direct both parts.[68]
In order to keep the budget on both parts of Breaking Dawn reasonable, which would be substantially greater than the previous instalments in the series, filming in Louisiana was also negotiated, providing larger tax credits for the studio to benefit from.[10]
Films[edit]
Twilight (2008)[edit]
Twilight was directed by Catherine Hardwicke and written by Melissa Rosenberg. It focuses on the development of a personal relationship between human teenager Bella Swan (Kristen Stewart) and vampireEdward Cullen (Robert Pattinson), and the subsequent efforts of Edward and his family to keep Bella safe from a separate group of hostile vampires. Edward refuses to grant Bella's request that he would transform her into a vampire, so that they could be together forever, his argument being that she should have a normal, human life.
The film was released theatrically starting on November 21, 2008. It grossed $35.7 million on its opening day,[69] and has come to gross US$408.9 million worldwide. The DVD was released on March 21, 2009 and grossed an additional $238 million from sales.[70] The Blu-ray disc edition of the film was released on March 21, 2009, in select locations, but was made more widely available at further retailers on May 5, 2009, grossing over $26 million;[71] getting to a total of over $264 million in home media sales.[72]
The Twilight Saga: New Moon (2009)[edit]
The Twilight Saga: New Moon was directed by Chris Weitz and written by Melissa Rosenberg. The film follows the Cullens' departure from Forks, and Bella Swan's fall into a deep depression. This depression persists until Bella develops a strong friendship with Jacob Black (Taylor Lautner). She consequently discovers that Jacob has unwillingly become a werewolf. Jacob and his tribe must protect Bella from Victoria, and a gregarious herd of vampires. Edward tells Bella that he will change her into a vampire if she agrees to marry him.
The film was released theatrically starting on November 20, 2009, and set numerous records. It is currently[when?] the biggest advance-ticket seller on Fandango[73] and held the biggest midnight opening in domestic (United States and Canada) box office history, grossing an estimated $26.3 million.[74] Its sequel, The Twilight Saga: Eclipse, broke that record in June 2010, grossing $72.7 million on its opening day domestically, becoming the biggest single-day opening in domestic history.[2]New Moon is the thirteenth highest opening weekend in domestic history with $142,839,137.[75]
The Twilight Saga: Eclipse (2010)[edit]
The Twilight Saga: Eclipse was directed by David Slade and written by Melissa Rosenberg. The film follows the human Bella Swan as she develops awareness of the complications of marrying vampire Edward Cullen. Jacob Black and the rest of the wolves form a temporary alliance with the Cullens to battle Victoria and her army of newborn vampires, in order to keep Bella safe. Jacob unsuccessfully tries to convince Bella to leave Edward and be with him instead. Edward proposes to Bella and she accepts it.
The film was released theatrically starting on June 30, 2010,[3] and is the first Twilight film to be released in IMAX.[4] It set a new record for biggest midnight opening in domestic (United States and Canada) in box office history, grossing an estimated $30 million in over 4,000 theaters.[76] The previous record holder was the previous film in the series, The Twilight Saga: New Moon with $26.3 million in 3,514 theaters.[76] The film then scored the biggest Wednesday opening in domestic history with $68,533,840 beating Transformers: Revenge of the Fallen's $62 million.[77]The Twilight Saga: Eclipse has also become the film with the widest release ever, playing in over 4,416 theaters.[78]
The Twilight Saga: Breaking Dawn – Part 1 (2011)[edit]
The Twilight Saga: Breaking Dawn was directed by Bill Condon, and author Stephenie Meyer co-produced the film along with Karen Rosenfelt and Wyck Godfrey, with Melissa Rosenberg penning the script.[79] The book's plot was split into two films, the first of which was released on November 18, 2011. The filming of Breaking Dawn began in November 2010.
The first part follows Bella and Edward as they get married and Bella becomes pregnant. They deal with her struggle of being pregnant and nearly dying because of her half-human, half-vampire child.
The Twilight Saga: Breaking Dawn – Part 2 (2012)[edit]
The Twilight Saga: Breaking Dawn Part 2 was directed by Bill Condon, and author Stephenie Meyer co-produced the film along with Karen Rosenfelt and Wyck Godfrey, with Melissa Rosenberg penning the script.[79] The book's plot was split into two films, the first of which was released on November 18, 2011.[10][80] The second was released on November 16, 2012.[11]
The second part of Breaking Dawn saw the climax of Bella and Edward's relationship. Bella must learn, as a newly transformed vampire, to use her special shield powers, as well as protect her half-human half-vampire daughter, Renesmee. The film also shows the final battle between The Cullens, along with vampires from the Denali Clan, and other vampire friends, as well as the wolves from the Quileute Tribe, against The Volturi.
Soundtracks[edit]
Twilight[edit]
Twilight: Original Motion Picture Soundtrack was chosen by music supervisor Alexandra Patsavas.[81] The album was released on November 4, 2008 by Patsavas' Chop Shop label, in conjunction with Atlantic Records, and debuted at #1 on the Billboard 200, having sold about 165,000 copies in its first week of release, 29% of which were digital downloads.[82]Twilight is the best-selling theatrical movie soundtrack in the United States since Chicago (2002).[83] 'Decode', by Paramore, was the first single released from the soundtrack. It premiered on Paramore's fan club site and Stephenie Meyer's official website on October 1, 2008.[84][85] The song was certified Platinum in the U.S on February 16, 2010, selling over 1,000,000 copies. It was also nominated for a Grammy Award in 2010 for Best Song Written for a Movie. 'Go All the Way (Into the Twilight)', by Perry Farrell, was the second single released from the soundtrack. It premiered on Meyer's website on October 23, 2008.[86][87]
Twilight: The Score was composed and orchestrated by Carter Burwell over a 9- to 10-week period, and was recorded and mixed in about 2 weeks in late September 2008.[88] Burwell began the score with a 'Love Theme' for Bella and Edward's relationship, a variation of which became 'Bella's Lullaby' that Robert Pattinson plays in the film, and that is included on the Twilight Original Motion Picture Soundtrack.[88] The original theme is featured throughout the film, and serves to 'play the romance that drives the story'.[88] Another theme Burwell composed was a 'Predator Theme', which opens the film, and is intended to play Edward's vampire nature.[88] Other themes include a bass-line, drum beat and distorted guitar sound for the nomadic vampires, and a melody for the Cullen family.[88]Twilight: The Score was released digitally on November 25, 2008 and in stores on December 9.[89][90]
The Twilight Saga: New Moon[edit]
The Twilight Saga: New Moon (Original Motion Picture Soundtrack) had, once again, Alexandra Patsavas as music supervisor;[91] while The Twilight Saga: New Moon (The Score), was composed by Alexandre Desplat.[92] The movie's director, Chris Weitz, has a working relationship with Desplat, who scored one of his previous films, The Golden Compass (2007).[92]The Twilight Saga: New Moon: Original Motion Picture Soundtrack was released on October 16, 2009[93] by Patsavas' Chop Shop label, in conjunction with Atlantic Records.[91] The album debuted at #2 on the Billboard 200, later jumped to #1 with 153,000 copies sold. The Twilight Saga: New Moon: The Score was released on November 24, 2009.
The Twilight Saga: Eclipse[edit]
The Twilight Saga: Eclipse (Original Motion Picture Soundtrack) had, once again, Alexandra Patsavas as music supervisor. It was released on June 8, 2010, by Patsavas' Chop Shop label, in conjunction with Atlantic Records.[94] The lead single from the soundtrack, 'Neutron Star Collision (Love Is Forever)', performed by the British band Muse, was released on May 17, 2010.[95] The soundtrack debuted at number two on the U.S. Billboard 200 albums chart with estimated sales of 144,000 copies.
The fim's score, The Twilight Saga: Eclipse (The Score), was composed by Howard Shore, who composed the scores for The Lord of the Rings trilogy (2001-2003).[96]
Twilight 2008 Movie Cast Full
The Twilight Saga: Breaking Dawn – Part 1[edit]
The Twilight Saga: Breaking Dawn – Part 1: (Original Motion Picture Soundtrack) saw the release of two singles: 'A Thousand Years' by Christina Perri and 'It Will Rain' by Bruno Mars. The former reached number one and the latter of the two number three on the Billboard Hot 100.
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The Twilight Saga: Breaking Dawn – Part 2[edit]
Reaction[edit]
Box office performance[edit]
Twilight grossed over $7 million in ticket sales from midnight showings alone on November 21, 2008.[97] It grossed $35.7 million on its opening day.[69] For its opening weekend in the United States and Canada, Twilight accumulated $69.6 million from 3,419 theaters at an average of $20,368 per theater.[98]
The film has made $192.7 million in the United States and Canada, and a further $200.8 million in international territories for a total of $393.6 million worldwide.[99]
The film was released on DVD in North America on March 21, 2009 through midnight release parties, and sold over 3 million units in its first day.[100] It has continued to sell units, totaling as of July 2012, making $201,323,629.[70]
The Twilight Saga: New Moon set records for advance ticket sales, causing some theaters to add additional showings.[101] The film set records as the biggest midnight opening in domestic (United States and Canada) box office history, grossing an estimated $26.3 million in 3,514 theatres, before expanding to 4,024 theaters.[74] The record was previously held by Harry Potter and the Half-Blood Prince, which grossed $22.2 million domestically during its midnight premiere.[74] The film grossed $72.7 million on its opening day domestically, becoming the biggest single-day opening in domestic history, beating The Dark Knight's $67.2 million.[2] This opening strongly contributed to another record: the first time that the top ten films at the domestic box office had a combined gross of over $100 million in a single day.[102]
The opening weekend of The Twilight Saga: New Moon is the ninth-highest opening weekend in domestic history with $142,839,137.[75] The film also has the sixth highest worldwide opening weekend with $274.9 million total.[103]
Film | Release date | Budget | Box office revenue | Box office ranking | |||||
---|---|---|---|---|---|---|---|---|---|
North America | Other territories | Worldwide | All time North America | All time worldwide | |||||
Twilight[99] | November 21, 2008 | $37,000,000 | $192,769,854 | $200,846,934 | $393,616,788 | #181 | #233 | ||
New Moon[104] | November 20, 2009 | $50,000,000 | $296,623,634 | $413,087,374 | $709,711,008 | #64 #169(A) | #82 | ||
Twilight / New Moon (combo/one-night-only)[105] | June 29, 2010 | $2,385,237 | $2,385,237 | #6159 | |||||
Eclipse[106] | June 30, 2010 | $68,000,000 | $300,531,751 | $397,959,596 | $698,491,347 | #63 #174(A) | #85 | ||
Breaking Dawn – Part 1[107] | November 18, 2011 | $110,000,000 | $281,287,133 | $430,918,723 | $712,205,856 | #79 #191(A) | #80 | ||
Breaking Dawn – Part 2[108] | November 16, 2012 | $120,000,000 | $292,325,737 | $537,422,083 | $829,746,820 | #69 | #53 | ||
Total[109] | $385.000.000 | $1365922346 | $1980234710 | $3346157056 | |||||
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Critical response[edit]
While The Twilight Saga has been successful at the box office, critical reception of the films was mixed.
New York Press critic Armond White called Twilight 'a genuine pop classic',[110] and praised Hardwicke for turning 'Meyer's book series into a Brontë-esque vision'.[111]USA Today gave the film two out of four stars and Claudia Puig wrote: 'Meyer is said to have been involved in the production of Twilight, but her novel was substantially more absorbing than the unintentionally funny and quickly forgettable film.'[112]
Robert Ignizio of the Cleveland Scene described The Twilight Saga: New Moon as an 'entertaining fantasy', and noted that it 'has a stronger visual look [than Twilight] and does a better job with its action scenes while still keeping the focus on the central love triangle.'[113] Michael O'Sullivan of The Washington Post gave the film two and half stars out of four, praised Kristen Stewart's performance in the film and wrote: 'Despite melodrama that, at times, is enough to induce diabetes, there's enough wolf whistle in this sexy, scary romp to please anyone.'[114] The Seattle Post-Intelligencer gave the film a 'B' grading and said, 'the movie looks tremendous, the dialogue works, there are numerous well placed jokes, the acting is on point.'[115] Mick LaSalle from the San Francisco Chronicle responded with a more mixed review, stating, '[E]xpect this film to satisfy its fans. Everybody else, get ready for a bizarre soap opera/pageant, consisting of a succession of static scenes with characters loping into the frame to announce exactly what they're thinking.'[116]Roger Ebert gave the film 1 star out of 4 and said that it 'takes the tepid achievement of Twilight, guts it, and leaves it for undead.'[117] The release of the movie has also inspired feminist criticism, with Owen Gleiberman of Entertainment Weekly making light of the claim that Edward Cullen is little better than a stalker.[118] In any case, the influx of female viewers into the theaters indicates the increasing importance of the female demographic in dictating Hollywood's tastes.[119]
The Hollywood Reporter posted a positive review of The Twilight Saga: Eclipse, saying the film 'nails it'.[120]Variety reports that the film 'finally feels more like the blockbuster this top-earning franchise deserves'.[121] One review stated the film was the best in The Twilight Saga so far, acknowledging that, 'The person who should be worried is Bill Condon, the director tapped for the two-part finale, Breaking Dawn. He's got a real challenge to make movies as good as Eclipse.'[122]A.O. Scott of The New York Times praised David Slade's ability to make an entertaining film, calling it funny and better than its predecessors, but pointed out the acting hasn't improved much.[123]
A more negative review said that while 'Eclipse restores some of the energy New Moon zapped out of the franchise and has enough quality performances to keep it involving', the film 'isn't quite the adrenaline-charged game-changer for love story haters that its marketing might lead you to believe. The majority of the 'action' remains protracted and not especially scintillating should-we-or-shouldn't-we conversations between the central triangle.'[124] Roger Ebert of the Chicago Sun Times gave the film a more positive review than for the first two films in the saga, but still felt the movie was a constant, unclever conversation between the three main characters. He criticized the 'gazes' both Edward and Jacob give Bella throughout the movie, and noted that the mountain range that appears in the film looks 'like landscapes painted by that guy on TV who shows you how to paint stuff like that.' He also predicted that a lack of understanding for the film series in general would not bode well with the audience, stating, 'I doubt anyone not intimately familiar with the earlier installments could make head or tails of the opening scenes.' He gave the film 2 stars out of 4.[125]
Breaking Dawn – Part 1 received mostly negative reviews from critics. Review aggregator Rotten Tomatoes reports that 24% of critics (of the 195 counted reviews) gave the film a positive review, and the site's consensus reads 'Slow, joyless and loaded with unintentionally humorous moments, Breaking Dawn Part 1 may satisfy the Twilight faithful, but it's strictly for fans of the franchise'.[126]Part 2 had a mixed critical reception but was much more favorable than Part 1.[127] Bruce Diones of New Yorkers gave the film a positive review, citing 'A feast of ripe dialogue and bloodsucking action'.[citation needed] Richard Roeper said that 'The fifth and final entry in the historically successful Twilight franchise is the most self-aware and in some ways the most entertaining', giving it a grade C+[128]
Film | Rotten Tomatoes | Metacritic | CinemaScore |
---|---|---|---|
Twilight | 49% (215 reviews)[129] | 56 (37 reviews)[130] | N/A |
The Twilight Saga: New Moon | 28% (225 reviews)[131] | 44 (32 reviews)[132] | A-[133] |
The Twilight Saga: Eclipse | 48% (241 reviews)[134] | 58 (38 reviews)[135] | A[133] |
The Twilight Saga: Breaking Dawn – Part 1 | 25% (202 reviews)[126] | 45 (36 reviews)[136] | B+[133] |
The Twilight Saga: Breaking Dawn – Part 2 | 49% (190 reviews)[127] | 52 (31 reviews)[137] | A[138] |
Home media sales[edit]
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- (B) indicates the yearly rank based on the number of DVDs sold during the year released (calculated by The Numbers).
Film | DVD release date | Revenue | Rank(B) | Units sold | Reference |
---|---|---|---|---|---|
Twilight | March 21, 2009 | $203,682,678 | #1 | 11,500,688 | [139][140] |
The Twilight Saga: New Moon | March 20, 2010 | $186,996,950 | #3 | 9,124,830 | [141][142] |
The Twilight Saga: Eclipse | December 4, 2010 | $167,551,921 | #5 | 9,715,029 | [143][144] |
The Twilight Saga: Breaking Dawn – Part 1 | February 11, 2012 | $99,421,341 | #3 | 5,493,262 | [145][146] |
The Twilight Saga: Breaking Dawn – Part 2 | March 2, 2013 | $67,057,551 | #1 | 4,468,455 | [147] |
Total | $657.652.890 | 35,833,809 |
Twilight in popular culture[edit]
The 2010 Portuguese teen series Lua Vermelha (Red Moon) had a similar premise of vampire romance but differed in the story. A parody film released that same year titled, Vampires Suck spoofed the film series. A television show within the canon of Canadian teen vampire film My Babysitter's a Vampire and the television series sequel called Dusk is a parody of Twilight.
The 2012 film Breaking Wind (parodying the title of Breaking Dawn, but parodying the whole film series), directed by Craig Moss (best known for The 41-Year-Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It), is also a spoof of the films and a parody version of Breaking Dawn Part – 1.[148] The animated movie Hotel Transylvania was released the same year, and has a scene inspired by Twilight.[149][150]
The 2013 Filipino comedysitcom entitled My Daddy is a Vampire resembled some Twilight scenes.[151]
References[edit]
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External links[edit]
Wikiquote has quotations related to: Twilight film |
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- The Twilight Saga on Facebook
Directed by
Catherine Hardwicke |
Writing Credits(WGA)
Melissa Rosenberg | .. | (screenplay) |
Stephenie Meyer | .. | (novel) |
Cast (in credits order) verified as complete
Kristen Stewart | .. | Bella Swan | |
Sarah Clarke | .. | Renée | |
Matt Bushell | .. | Phil | |
Billy Burke | .. | Charlie Swan | |
Gil Birmingham | .. | Billy Black | |
Taylor Lautner | .. | Jacob Black | |
Gregory Tyree Boyce | .. | Tyler | |
Justin Chon | .. | Eric | |
Michael Welch | .. | Mike Newton | |
Anna Kendrick | .. | Jessica | |
Christian Serratos | .. | Angela | |
Nikki Reed | .. | Rosalie | |
Kellan Lutz | .. | Emmet Cullen | |
Ashley Greene | .. | Alice Cullen | |
Jackson Rathbone | .. | Jasper | |
Robert Pattinson | .. | Edward Cullen | |
José Zúñiga | .. | Mr. Molina (as Jose Zuniga) | |
Trish Egan | .. | High School Administrator | |
Ayanna Berkshire | .. | Cora | |
Ned Bellamy | .. | Waylon Forge | |
Bryce Flint-Sommerville | .. | Mine Security Guard | |
Peter Facinelli | .. | Dr. Carlisle Cullen | |
Solomon Trimble | .. | Jacob's Friend | |
Rachelle Lefevre | .. | Victoria | |
Cam Gigandet | .. | James | |
Edi Gathegi | .. | Laurent | |
Alexander Mendeluk | .. | Frat Boy | |
Hunter Jackson | .. | Frat Boy | |
Gavin Bristol | .. | Frat Boy | |
Sean McGrath | .. | Frat Boy | |
Katie Powers | .. | Waitress | |
Elizabeth Reaser | .. | Esme Cullen | |
Catherine Grimme | .. | Young Bella | |
Rest of cast listed alphabetically: | |||
Humberto Amor | .. | Jacob in Spanish (uncredited) | |
William Joseph Elk III | .. | Native Wolf Pack Member #2 (uncredited) | |
Victoria Geil | .. | 1920's Vampire Victim (uncredited) | |
Kristopher Hyatt | .. | Embry Call (uncredited) | |
Stephenie Meyer | .. | Diner Customer (uncredited) | |
Rick Mora | .. | Native Werewolf Tribe #1 - Flashback Sequence (uncredited) | |
Rana Morrison | .. | Patron in Restaurant (uncredited) | |
Tyler Nordby | .. | Biology Class Student (uncredited) | |
Trip Ross | .. | Coffee Shop Guy (uncredited) | |
Edward Stiner | .. | Man in Cafe (uncredited) | |
Josh Turner | .. | Towns Person (uncredited) | |
Maggie-Jo Turner | .. | Volleyball player (uncredited) | |
Robert Zorn | .. | Logger (uncredited) |
Produced by
Marty Bowen | .. | executive producer |
Wyck Godfrey | .. | producer |
Michele Imperato | .. | executive producer (as Michele Imperato Stabile) |
Jamie Marshall | .. | co-producer |
Greg Mooradian | .. | producer |
Mark Morgan | .. | producer |
Guy Oseary | .. | executive producer |
Karen Rosenfelt | .. | executive producer |
Patrick Sanchez Smith | .. | associate producer (as Patrick Thomas Smith) |
Music by
Carter Burwell |
Cinematography by
Elliot Davis | .. | director of photography |
Twilight 2008 Movie In Hindi Online
Film Editing by
Nancy Richardson |
Casting By
Deborah Aquila |
Tricia Wood |
Art Direction by
Christopher Brown | .. | (as Christopher L. Brown) |
Ian Phillips |
Set Decoration by
Gene Serdena |
Costume Design by
Wendy Chuck |
Makeup Department
Trish Almeida | .. | key hair stylist: second unit |
Rose Barclay | .. | additional hair stylist |
Catherine Childers | .. | additional hair stylist |
Laura Connolly | .. | additional hair stylist |
Bridget Cook | .. | key hair stylist: additional photography (as Bridgette Cook) |
Molly Craytor | .. | makeup artist (as Molly Crator) |
Nicole DeFrancesco | .. | hair stylist (as Nicole Frank) |
Stephanie Fajardo | .. | assistant hair stylist |
Stuart Gavert | .. | hair colorist: additional photography |
Stephanie June Johnson | .. | additional makeup artist: second unit (as Stephanie Johnson) |
Rolf John Keppler | .. | makeup artist (as Rolf Keppler) |
Raj Mariathason | .. | special makeup effects lab technician |
Cristina Patterson | .. | special effects contact lenses (as Cristina Patterson Ceret) |
Elizabeth Rabe | .. | additional hair stylist |
Susan Sittko Schaefer | .. | hair stylist |
Robin Schmitt | .. | assistant makeup artist |
Crystal Shade | .. | makeup artist: second unit |
Richard L. Silver | .. | special effects contact lenses (as Dr. Richard Silver) |
Stacey Sumner | .. | special effects contact lenses (as Dr. Stacey Sumner) |
Mary Ann Valdes | .. | hair designer / key hair stylist |
Jeanne Van Phue | .. | key makeup artist |
Amanda Williams | .. | additional hair stylist: second unit (as Amanda M. Williams) |
Production Management
Craig Cannold | .. | production supervisor |
Mary Courtney | .. | unit production manager: second unit |
Michele Imperato | .. | unit production manager (as Michele Imperato Stabile) |
Andrea Isaacs | .. | executive in charge of production |
Angel Pine | .. | post-production supervisor |
Robert West | .. | production supervisor: additional photography |
Second Unit Director or Assistant Director
Deon Boyce | .. | additional assistant director |
Ryan Chang | .. | second assistant director: second unit |
Andy Cheng | .. | second unit director |
Thomas Coe | .. | second assistant director (as Thomas D. Coe) |
Ryan Craig | .. | second assistant director: second unit |
Greg Hale | .. | second assistant director (as Gregory G. Hale) |
Jamie Marshall | .. | first assistant director |
Lynne Martin | .. | second second assistant director |
John M. Morse | .. | second assistant director: additional photography |
Justin Muller | .. | first assistant director: additional photography |
Kristen Ploucha | .. | second assistant director: second unit |
Michael Viglietta | .. | first assistant director: second unit (as Michael S. Viglietta) |
Thomas Robinson Harper | .. | second unit director: reshoots (uncredited) |
Art Department
Chris Barnes | .. | lead painter |
Daniel Bates | .. | painter (as Dan Bates) |
Jonathan Birchfield | .. | greens foreperson (as Jonathan Birchfeld) |
Philip Blackburn | .. | set dresser (as Phil Blackburn) |
Camille M. Bratkowski | .. | set designer (as Camille Bratkowski) |
Bill Burkhert Jr. | .. | propmaker |
Jon Bush | .. | art department coordinator |
Charles A. Carlsen | .. | key greens foreperson (as Charles Carlsen) |
Christopher Carlsen | .. | greensperson (as Chris Carlsen) |
Garret Christensen | .. | set decoration assistant |
Brady J. Condit | .. | set dresser (as Brady Condit) |
Shawn Copley | .. | plasterer |
Grant Cotterall | .. | lead carpenter |
Paul Cowsill | .. | on-set greens: second unit |
Tim Croshaw | .. | set designer |
Levi Cummings | .. | lead plaster |
Chad R. Davis | .. | on-set dresser (as Chad Davis) |
Michael Deal | .. | set decorator: additional photography |
Ken Erck | .. | painter / stand-by painter: second unit |
Alan Feffer | .. | gang boss |
Peter Frantz | .. | propmaker (as Peter A. Frantz) |
Jenelle Giordano | .. | set dresser (as Jenelle Giorano) |
Trevor Goring | .. | senior illustrator |
Ray Hayden | .. | gang boss |
Bill Holmquist | .. | construction coordinator: additional photography |
Philip C. Hurst | .. | greens coordinator: additional photography |
Billy Iiams Jr. | .. | construction foreman / general foreman |
Adam Johnson | .. | set dresser |
Thomas V. Johnson | .. | lead scenic: additional photography |
Bree Judah | .. | painter |
Philip Keller | .. | storyboard artist (as Phil Keller) |
Ellen Lampl | .. | graphic designer |
Kami Laprade | .. | assistant property master (as Kami R. Laprade) |
Ronald 'Krobar' Lawler | .. | buyer (as Ron 'Krobar' Lawler) |
Ellen Lepinski | .. | paint gang boss |
Ray Lovasz | .. | propmaker (as Raymond Lovatz) |
Bao-Uy Luu | .. | illustrator: PIC (as Bao Luu) |
Curtis Mathewson | .. | propmaker (as Curtis Hall Mathewson) |
Greg McMickle | .. | props: second unit |
Mike Medina | .. | construction coordinator: additional photography |
Bekka Melino | .. | set dresser (as Rebecca Melino) |
Charles Miller | .. | gang boss |
Cynthia Nibler | .. | property master |
Greg O'Donohue | .. | swing: additional photography |
John Pearson-Denning | .. | property assistant (as John Pearson Denning) |
Lars Petersen | .. | construction coordinator |
Allyson Peterson | .. | art department assistant (as Allyson Marquering-Peterson) |
Beth Peterson | .. | painter |
Renee Prince | .. | stand-by painter |
Joe Rynearson | .. | set dresser |
Steve Saklad | .. | art director: additional photography |
Grant Samson | .. | leadperson |
Carly Sertic | .. | graphics |
Ryan Warren Smith | .. | on-set dresser: second unit (as Ryan Smith) |
Shanna Starzyk | .. | art director: second unit |
Robert Stover | .. | buyer |
John L. Sullivan | .. | construction foreperson (as John Sullivan) |
Mark Tomlinson | .. | prop maker |
Brad Turner | .. | property assistant |
Rena Van Steele | .. | stand by painter |
Mark Vena | .. | storyboard artist (as Marc Vena) |
Chandler Vinar | .. | gang boss |
Michael Voelker | .. | props |
Steven C. Voll | .. | construction general foreperson (as Steve Voll) |
Bob Warner | .. | lead painter |
Harold 'Willy' Wilson | .. | greensperson (as Harold 'Willie' Wilson) |
J.D. Woods | .. | art department coordinator: additional photography |
Nick Worsfold | .. | on-set greens foreperson |
Gordon Bellamy | .. | prop manufacturing: tEAG Ltd. (uncredited) |
Darrin Clubb | .. | foreman: reshoots (uncredited) |
Paul Cowsill | .. | plasterer (uncredited) |
Carmine Goglia | .. | stand-by painter (uncredited) |
Jason Hildner | .. | greensman (uncredited) |
Jim Krase | .. | foreman: reshoots (uncredited) |
Rick Lepinski | .. | construction utility (uncredited) |
Michael Earl Menlow | .. | carpenter (uncredited) |
Charles Miller | .. | prop gang boss (uncredited) |
Steve Patterson | .. | propmaker (uncredited) |
Sound Department
Wade Barnett | .. | adr recordist |
Steve Blazewick | .. | sound utility |
Thomas Brandau | .. | sound mixer: Los Angeles |
Richard Bullock Jr. | .. | boom operator (as Richard Bullock) |
Paul Timothy Carden | .. | adr supervisor |
Rickley W. Dumm | .. | sound effects editor (as Rickley Dumm) |
John Evans | .. | boom operator |
Frank Gaeta | .. | re-recording mixer / sound designer / supervising sound editor |
Marshall Garlington | .. | re-recording mixer |
Patrick Giraudi | .. | foley editor |
David Grant | .. | dialogue editor |
Catherine Harper | .. | foley artist |
Joe Iemola | .. | assistant sound editor |
Travis MacKay | .. | adr recordist |
David MacMillan | .. | production sound mixer: additional photography |
Darrin Mann | .. | foley mixer |
Glenn Micallef | .. | sound mixer |
Christopher Moriana | .. | foley artist (as Chris Moriana) |
Jordan O'Neill | .. | dts sound mastering engineer |
Sarah Payan | .. | dialogue editor |
Gabriel J. Serrano | .. | mix recordist |
Leslie Shatz | .. | re-recording mixer |
Greg Steele | .. | adr mixer |
Roland N. Thai | .. | sound effects editor (as Roland Thai) |
Eric Thompson | .. | adr mixer |
Greg Zimmerman | .. | adr recordist |
Special Effects by
William Boggs | .. | special effects technician |
Chris Brenczewski | .. | special effects foreperson |
Lawrence Decker | .. | special effects foreperson: second unit (as Lawrence 'Quasi' Decker) |
Scott Dwyer | .. | special effects technician |
Jeff Elliott | .. | special effects gang boss (as Jeff 'Modo' Elliot) |
Scott R. Fisher | .. | special effects coordinator: additional photography (as Scott Fisher) |
Donald Honeywill | .. | special effects technician |
Michael Kay | .. | special effects foreperson (as Michael Kaye) |
Dean G. Roberts | .. | special effects tech (as Dean Roberts) |
Andy Weder | .. | special effects coordinator |
Visual Effects by
Jeremy Agamata | .. | pre-visualization artist |
Simon Ager | .. | digital effects artist |
Jon Alexander | .. | digital artist: ILM |
Lee Allan | .. | compositor: CIS Vancouver (as Allan Lee) |
Casey Allen | .. | senior flame artist |
Juan Pablo Allgier | .. | compositor: CIS Vancouver |
Graeme Baitz | .. | roto artist: CIS Vancouver |
Jerome Bakum | .. | visual effects editor: ILM |
Romain Bayle | .. | visual effects art director: CIS Vancouver |
Davina Bilow | .. | digital compositor: Rez-Illusion (as Davina R. Bilow) |
Madalina Bland | .. | digital compositor: Rez-Illusion |
Josh Bolin | .. | compositor: PIC |
Mike Borgstrom | .. | cg artist: CIS Vancouver |
Guy Botham | .. | visual effects executive producer: Lola Visual Effects |
Grant Bowen | .. | systems administrator: CIS Vancouver |
Justin Brekke | .. | data management: CIS Vancouver |
Daniel Brimer | .. | visual effects producer: Rez-Illusion |
Randy Brown | .. | compositor: CIS Hollywood |
Shauna Bryan | .. | executive producer: CIS Vancouver |
Elika Burns | .. | roto/paint supervisor: CIS Hollywood |
Daniel Cairnie | .. | compositor: CIS Vancouver |
John Cairns | .. | compositor: CIS Vancouver |
Mark Casey | .. | compositing supervisor: ILM |
Alan Chuck | .. | visual effects line producer: CIS Vancouver |
Trent Claus | .. | flame artist |
Sarah Coatts | .. | main title producer: PIC |
Brian Conlan | .. | compositor: PIC |
Brian Conlon | .. | digital effects artist |
Michael Dean Connolly | .. | visual effects production assistant: Rez-Illusion |
Martyn 'Moose' Culpitt | .. | compositor: CIS Vancouver (as Martyn Culpitt) |
Joe De Michelis | .. | systems administrator: CIS Vancouver |
Michelle Dean | .. | digital artist: ILM |
Kristin Dearholt | .. | digital production manager: CIS Vancouver |
Yoshi DeHerrera | .. | visual effects artist: 3D scanning & modeling |
Nathan Dinihanian | .. | visual effects assistant: second unit |
Jason Dowdeswell | .. | digital production supervisor: CIS Vancouver |
David Drzewiecki | .. | additional visual effects supervisor |
Steve Dubin | .. | visual effects producer |
Ryan Dutour | .. | compositor: CIS Vancouver |
Moritz Eiche | .. | compositing supervisor: CIS Vancouver |
Nicholas Elwell | .. | visual effects coordinator |
Sebastian Feldman | .. | digital artist: ILM |
Peter Fiala | .. | previs artist |
Brandon Flyte | .. | digital compositor |
Chad L. Fox | .. | cg artist: CIS Vancouver (as Chad Fox) |
Fortunato Frattasio | .. | digital effects supervisor: Wildfire VFX |
Larry Gaynor | .. | senior paint and roto: CIS Hollywood |
Bill George | .. | visual effects supervisor: ILM |
Jamison Scott Goei | .. | visual effects supervisor: Rez-Illusion |
Jeremy Goldman | .. | cg supervisor: ILM |
Marissa Gomes | .. | production coordinator: ILM |
Bryant Terrell Griffin | .. | digital artist: ILM (as Bryant Griffin) |
Geoffrey Hancock | .. | digital effects supervisor: CIS Vancouver |
Zane Harker | .. | digital effects colorist: CIS Vancouver |
Peter Hart | .. | matchmove artist: CIS Vancouver |
Heather Elisa Hill | .. | visual effects project manager: CIS Hollywood |
Laura Hitchcock | .. | compositor: CIS Vancouver (as Laura Fremmerlid) |
Dennis Hoffman | .. | head of production: CIS Vancouver |
Petra Holtorf | .. | visual effects producer (as Petra Holtorf-Stratton) |
Chris Hopkins | .. | 3D visual effects artist / digital compositor: Rez-Illusion |
Jill E. Hughes | .. | production manager: ILM |
Chris Ingersoll | .. | flame artist |
Patrick Kavanaugh | .. | visual effects supervisor: CIS Hollywood |
Richard Kidd | .. | visual effects supervisor |
Perry M. Kimura | .. | scanning and recording |
Jeanmarie King | .. | visual effects producer: ILM (as Jeanie King) |
Alex Klaue | .. | vfx |
Ronald Knol | .. | systems administrator: CIS Vancouver |
Maggie Kraisamutr | .. | digital compositor: Rez-Illusion |
Robin Lee | .. | systems administrator: CIS Vancouver |
Louis Leung | .. | cg artist: CIS Vancouver |
Justin Liebregts | .. | animator |
Deanna Louie | .. | bidding coordinator |
Bob Lyss | .. | compositor: CIS Hollywood |
Mark Maccora | .. | digital compositor: Rez-Illusion |
Michael MacGillivray | .. | visual effects editor: CIS Vancouver |
Harrison Marks | .. | visual effects coordinator |
Wolfgang Maschin | .. | compositing supervisor: Catalyst Media |
Riley McDougall | .. | data management: CIS Vancouver |
Brian McGraw | .. | media operations: ILM |
Tom McHattie | .. | compositor: CIS Vancouver |
Melanie Miller | .. | visual effects coordinator: Rez-Illusion (as Melanie Miller) |
Thomas Nittmann | .. | visual effects producer: Lola Visual Effects |
Reika Nixon | .. | data management: CIS Vancouver (as Reika Nishio) |
Sam Nixon | .. | matchmove artist: CIS Vancouver |
Brian Nugent | .. | flame artist |
Julie Orosz | .. | visual effects producer: CIS Hollywood |
Jinnie Pak | .. | visual effects producer: CIS Vancouver |
Earl Paraszczynec | .. | cg artist: CIS Vancouver |
Sookie Park | .. | digital compositor: Rez-Illusion |
Mario Peixoto | .. | compositor: CIS Vancouver |
Mike Pekala | .. | digital artist: Catalyst Media |
Christine Petrov | .. | head of 2D: CIS Vancouver |
Chi Pham | .. | systems administrator: CIS Vancouver |
Mario Pochat | .. | cg artist: CIS Vancouver |
Ricardo Quintero | .. | compositor: CIS Vancouver |
Lara Ramirez | .. | visual effects editor |
Lauren Ritchie | .. | visual effects producer: Wildfire VFX |
Michael Roderick | .. | digital compositor |
Thomas Rosseter | .. | compositor: CIS Vancouver (as Tom Rosseter) |
Chris Ryan | .. | cg supervisor: CIS Hollywood |
Heather MacPhee Ryan | .. | paint and rotoscope artist: CIS Hollywood (as Heather MacPhee) |
Christian Severin | .. | digital artist: Catalyst Media |
Drew Shields | .. | previs artist: CIS |
Raena Singh | .. | visual effects producer: Catalyst Media |
Karl Sisson | .. | digital effect artist: CIS Vancouver |
Dereck Sonnenburg | .. | assistant visual effects supervisor |
Jim Soukup | .. | digital artist: ILM |
Geordie Spradling | .. | paint & rotoscoping artist: CIS Hollywood |
Joe Woodward Stevenson | .. | digital artist: ILM (as Joe Stevenson) |
Kevin Struckman | .. | compositor: CIS Vancouver |
Tammy Sutton | .. | paint/wire removal |
Ahren Thomas | .. | digital compositor: Rez-Illusion |
Enrique Torres | .. | pre-visualization artist |
Curtis Tsai | .. | data management: CIS Vancouver |
Luke Vallee | .. | digital compositor |
Michael Van Eps | .. | digital artist: ILM |
Sean Wallitsch | .. | flame artist |
Jessica Wan | .. | roto artist: CIS Vancouver |
Talmage Watson | .. | digital artist: ILM |
Edson Williams | .. | visual effects supervisor: lola visual effects |
Steve Won | .. | visual effects coordinator: CIS Vancouver |
Noel Wright | .. | compositor: CIS Vancouver |
Johan Yang | .. | animator: Rainmaker |
Ryan Zuttermeister | .. | associate visual effects producer: Lola Visual Effects |
Matt Ashton | .. | senior systems: CIS Hollywood (uncredited) |
Donald Fly | .. | general manager: CIS Group (uncredited) |
Brian Holmes | .. | systems engineer: CIS Hollywood (uncredited) |
Goran Kocov | .. | matchmove coordinator (uncredited) |
Katie Miller | .. | production assistant: CIS Hollywood (uncredited) |
Stunts
Jerry T. Adams | .. | stunt performer (as Jerry Adams) |
Helena Barrett | .. | stunt performer |
Kelly Bellini | .. | stunt performer |
Kevin Chase | .. | stunt performer |
Andy Cheng | .. | stunt coordinator |
Jennifer Cobb | .. | stunt performer |
Paul Darnell | .. | stunt double: Robert Pattinson |
Matt Davis | .. | stunt performer |
Greg Dela Riva | .. | stunt performer (as Greg De La Riva) |
Danny Downey | .. | stunt performer |
Seth Duhame | .. | stunt performer |
Timothy Eulich | .. | stunt performer |
Colin Follenweider | .. | stunt performer |
Mitch Gould | .. | stunt performer (as Mitchell Gould) |
Charles Grisham | .. | stunt performer |
Thomas Robinson Harper | .. | stunt coordinator: additional photography (as Tom Harper) |
Alessandra Hayden | .. | stand-in: woman |
Tim Henderson | .. | stunt performer (as Timothy Henderson) |
Zac Henry | .. | stunt performer / stunt rigger |
Michael Hilow | .. | stunt performer |
Brian Hite | .. | stunt performer |
Karin Justman | .. | stunt performer |
Jim Karn | .. | stunt performer |
Shawn Kautz | .. | stunts |
Brad Kelly | .. | stunts |
Samuel Le | .. | assistant stunt coordinator (as Xuyen 'Sammy' Valdivia) |
Bob MacDougall | .. | stunt performer (as Bob McDougall) |
Johnny Martin | .. | stunt double / stunt performer |
Doug O'Dell II | .. | stunt performer (as Doug O'Dell) |
David Paris | .. | stunt performer |
Jade Quon | .. | stunts |
Alice Rietveld | .. | core stunt steam / core stunt team / stunt double: Ashley Greene and Kristen Stewart |
Mike Snyder | .. | stunt performer |
Alex Terzieff | .. | stunt performer |
Maggie-Jo Turner | .. | stunts |
Rich Volp | .. | stunt performer |
Tim Wagner | .. | stunt performer |
Logan Welch | .. | stunt performer |
Helena Barrett | .. | stunt double: Kristen Stewart (uncredited) |
Kevin Chase | .. | stunt rigger (uncredited) |
Jennifer Cobb | .. | stunt double: Rachelle Lefevre (uncredited) |
Danny Downey | .. | stunt double: Jackson Rathbone (uncredited) |
Art Hickman | .. | stunt driver (uncredited) |
Pat Romano | .. | stunt rigger (uncredited) |
Camera and Electrical Department
John Banholzer | .. | grip: second unit |
Andy Barden | .. | electrician |
Brian Bartolini | .. | gaffer: additional photography |
George Billinger III | .. | steadicam operator (as George Billinger) |
Noah Bishop | .. | technocrane operator |
Matthew C. Blea | .. | second assistant camera: 'a' camera, second unit (as Mat Blea) |
J.A. Byerly | .. | rigging gaffer: LA |
Chris 'Chalky' Chalk | .. | best boy rigging electrician |
Kyril Cvetkov | .. | Assistant Camera |
Harry Dawson | .. | camera operator: 'b' camera, second unit |
Kelly Diehl | .. | libra mount technician |
Shawn Duchscherer | .. | key rigging gaffer |
Caz Duffy | .. | second assistant camera: 'a' camera |
Charles Ehrlinger | .. | grip |
Paul Fanning | .. | electrician (as Paul 'The Wog' Fanning) |
Brian Fleskes | .. | best boy rigging grip |
Bruce 'Sarge' Fleskes | .. | gaffer: second unit |
Desera Frentress | .. | rigging electrician |
David Galbraith | .. | first assistant camera: 'a' camera |
Andrew Gallegos | .. | set lighting technician: second unit |
Jason Garcia | .. | first assistant camera: additional photography |
James J. Gilson | .. | gaffer (as James Gilson) |
Nate Goodman | .. | second assistant camera: 'b' camera |
Peter Graf | .. | aerial camera system tech super g |
Jeff Graham | .. | first assistant camera: additional photography |
Cory Gunter | .. | second assistant camera: Additional Unit |
Mike Hanauska | .. | grip: second unit |
Josh Hancher | .. | first assistant camera |
Bruce Henderson | .. | rigging grip |
Jason Hibarger | .. | libra head technician: second unit |
Anna Rose Holmer | .. | camera department assistant (as Anna Farrell) |
Steve Hubert | .. | electrician |
Chip Ingram | .. | grip: second unit (as Barry 'Chip' Ingram) |
Tim Jankowski | .. | electrician |
Kale Jessen | .. | video assist |
Jeffrey A. Johnson | .. | best boy grip (as Jeffrey 'JJ' Johnson) |
Michael Kelem | .. | aerial director of photography |
Curt Klein | .. | video assist |
Shane Klum | .. | rigging grip (as Shane E. Klum) |
Eric Laudadio | .. | first assistant camera: 'a' camera, second unit |
Brent Lawson | .. | best boy grip: second unit |
Brian C. Lawson | .. | dolly grip: second unit (as Brian Lawson) |
Bruce Lawson | .. | key grip: second unit |
Jean-Baptiste LeConte | .. | (additional photography) ((lighting technician:) |
Alex Lee | .. | video production assistant: second unit |
Michael Lindquist | .. | second assistant camera |
Jon Lindsay | .. | second assistant camera |
Patrick Loungway | .. | director of photography: second unit |
Jeremy Mackie | .. | electrician |
Richard Mall | .. | key grip: additional photography |
Joe Martens | .. | best boy electric |
Andrew McDowall | .. | first assistant camera: 'b' camera, second unit |
Joseph 'JoeMac' McGinley | .. | automated lighting programmer |
Michael Earl Menlow | .. | grip |
Ryan Middleton | .. | lighting technician |
Tracy M. Mullins | .. | camera production assistant |
John Murphy | .. | dolly grip |
Jeff Murrell | .. | director of photography: additional photography |
Collen Newberry | .. | daily grip (as Cullen Newberry) |
Deana Newcomb | .. | still photographer |
Justin O'Shaughnessy | .. | second assistant camera: 'b' camera, second unit |
Efrem Peter | .. | electrician |
Eliza Plumlee | .. | camera loader |
Steve Purcell | .. | electrician (as Stephen Purcell) / electrician (as Steven Purcell) |
Bruce Robinson | .. | first assistant camera: 'b' camera |
Greg Schmitt | .. | camera operator |
Sigfried Seeliger | .. | electrician: second unit (as Justin 'Sigfried' Seeliger) |
Bryan Seidel | .. | grip |
Brian Shotzbarger | .. | grip |
Jeremiah Skender | .. | rigging grip |
Gabe Smith | .. | grip |
Steve Smith | .. | key grip |
Peter Sorel | .. | still photographer |
David Speck | .. | second assistant camera: 'b' camera: Los Angeles |
Tim Spencer | .. | steadicam operator: second unit |
Luke Bird Stern | .. | second assistant camera |
Don Stier | .. | dolly grip: 'b' camera |
Jean Margaret Thomas | .. | electrician |
Mark Tomlinson | .. | grip |
Karl Vindler | .. | digital video assist operator: reshoots |
Joe Vitellaro | .. | grip: second unit |
Scott Walters | .. | best boy electric: second unit |
Justin C. Ward | .. | electrician: second unit |
Bryan 'fro' Waters | .. | grip (as Bryan Waters) |
Scott Watkins | .. | key rigging grip |
Greg Wick | .. | lighting technician |
Martin Oliver Edward Wright | .. | video assist: second unit (as Martin Wright) |
Shawn Duchscherer | .. | lighting technician (uncredited) |
Brian Neubauer | .. | additional rigging grip (uncredited) |
Paul Tennis | .. | lighting technician (uncredited) |
Steve Waters | .. | rigging electrician (uncredited) |
Animation Department
Michael Figge | .. | animator |
Casting Department
Samantha Finkler Brainerd | .. | casting associate (as Samantha Finkler) |
Patrice Farner | .. | extras casting |
Sally Gates | .. | extras casting associate |
Eryn Goodman | .. | casting assistant |
Brandi S. Hawkins | .. | extras casting |
Lori Lewis | .. | casting associate: Oregon |
Georgia Simon | .. | adr voice casting |
Danny Stoltz | .. | extras casting |
Erin Toner | .. | casting associate |
Tin Tran | .. | extras casting assistant |
Lana Veenker | .. | casting: Oregon |
Lisa Zagoria | .. | casting associate |
Costume and Wardrobe Department
Nikki Bartnick | .. | set costumer (as Nikki Paulson-Bartnick) |
Jeannine Bourdaghs | .. | costumer |
Janet Cadmus | .. | head dyer |
Tesa Diaz | .. | seamstress (as Tesa R. Diaz) |
Jordanna Fineberg | .. | assistant costume designer |
Roger J. Forker | .. | costumer |
Leslie Gilbertson | .. | costumer |
Dana Kay Hart | .. | costume supervisor (as Dana Hart) |
Martha Hines | .. | costumer: second unit |
Sandy Kenyon | .. | costume supervisor: additional photography |
Celeste LaChance | .. | set costumer |
Susan Matheson | .. | costume designer: additional photography |
Oksana Nedavniaya | .. | costume illustrator |
Amber Overstreet | .. | wardrobe production assistant |
Mark Peterson | .. | key costumer |
Emilea A. Rivera | .. | set costumer (as Emilia Rivera) |
Chapin Simpson | .. | costumer: second unit |
Susan Strubel | .. | key set costumer |
Pamela Waggoner | .. | set costumer |
Editorial Department
Scott Gregory | .. | digital film colorist |
Michael L. Holland | .. | digital intermediate producer |
Joshua Raymond Lee | .. | editorial production assistant |
Kindra Marra | .. | first assistant editor |
Luis Martos | .. | editor: PIC |
Alan Z. McCurdy | .. | first assistant editor |
Steve Miller | .. | on-line editor |
Harry Muller | .. | color timer |
Zachary Quinn Scheuren | .. | editor: PIC (as Zachary Scheuren) |
Brian Spirnak | .. | second assistant editor |
Ara Thomassian | .. | digital dailies |
Gérard Estival | .. | color timer (uncredited) |
Location Management
Don Baldwin | .. | location manager: second unit |
Scott Bigbee | .. | location scout |
Rob Frank | .. | location manager: additional photography |
Shaun Gavin | .. | assistant location manager |
Mario Gilbert | .. | key location manager |
Peter Gluck | .. | location manager |
Catherine Kagan | .. | location manager |
Tom Lackey | .. | location scout |
James Lin | .. | supervising location manager |
Beth Melnick | .. | location manager |
Brigette Pope | .. | assistant location manager: Los Angeles |
Jairus Smith | .. | location production assistant: second unit |
Beth Tate | .. | location scout |
Music Department
Christine Bergren | .. | music legal and clearance |
Mark Berrow | .. | musician: violin |
Nicholas Bucknall | .. | musician: clarinet |
Carter Burwell | .. | conductor / orchestrator |
Richard Clews | .. | musician: french horn |
Mitchell Dalton | .. | musician: guitar (as Mitch Dalton) |
Caroline Dearney | .. | musician: cello |
Michael Farrow | .. | music engineer / music mixer |
Ginger Greaves | .. | music coordinator (as Ginger Whitman) |
Dave Hassell | .. | musician: percussion |
Scott Johnson | .. | assistant music editor |
Paul Katz | .. | music consultant |
Peter Lale | .. | musician: viola |
Bill Lockhart | .. | musician: percussion |
Dean Parker | .. | composer assistant |
Alexandra Patsavas | .. | music supervisor |
Lizzy Pattinson | .. | vocalist |
David Pyatt | .. | musician: french horn |
Adam Milo Smalley | .. | music editor |
Ian Thomas | .. | musician: drums |
David Torn | .. | musician: solo guitar & textures |
Kasey Truman | .. | music coordinator |
Vicci Wardman | .. | musician: viola |
Rosemary Warren-Green | .. | orchestra leader (as Rose Warren-Green) |
Bruce White | .. | musician: viola |
Brittany Whyte | .. | music coordinator (as Brittany Warfield) |
Hayley Williams | .. | singer: 'Decode' |
Jonathan Williams | .. | musician: cello |
Kenny Woods | .. | music producer |
Brian Zarate | .. | music supervisor |
Transportation Department
Dave Amberik | .. | driver/generator operator (as Dave Amberick) |
William A. Benedict | .. | driver |
Brandon Chandler | .. | driver |
Rick Chouinard | .. | transportation captain (as Richard Chouinard) |
James Davis | .. | driver (as Jim Davis) |
Thomas P. Donovan | .. | driver (as Tom Donovan) |
William Dreher | .. | driver/generator operator (as Will 'Power' Dreher) |
Justin Durrie | .. | driver |
Nik Edgerton | .. | transportation captain: Oregon (as Nick Edgerton) |
Steve Evans | .. | driver |
Andrew Forgash | .. | transportation |
Tom Garris | .. | transportation captain: second unit |
Shayna Goldstein | .. | driver |
Gordon Grange | .. | driver |
Ryder Greene | .. | driver: second unit |
Mark 'Sparky' Haleston | .. | driver: second unit (as Mark Halestrom) |
Ransom Hamersly | .. | driver: second unit |
Kenneth L. Hardman | .. | driver (as Kenny Hardman) |
Bart Heimburger | .. | driver |
Tyrone Hines | .. | driver |
Lance Hruza | .. | driver |
Robert K. Johnson | .. | transportation coordinator (as Rob Johnson) |
Philip Krysl | .. | driver |
Tony Laughlin | .. | driver |
Kenny Lee | .. | driver |
Andrew Marrow | .. | driver |
Stephen McGuire | .. | driver |
Brendan McKeon | .. | driver |
Greg McVey | .. | driver (as Greg 'Bubba' McVey) |
Jeremy Morgan | .. | driver |
Andrew Mott | .. | driver (as Andy Mott) |
Steve H. Pape | .. | driver: second unit (as Steve Pape) |
Wayne Parviainen | .. | driver (as Wayne Parvianan) |
Robert Platt | .. | driver (as Robert 'Spike' Platt) |
Thomas Platt | .. | driver |
Steve Polon | .. | driver/office manager |
Kevin Pullen | .. | driver |
Danny Rowe | .. | driver |
Michael Scotty | .. | insert car driver |
Joe Soleberg | .. | driver (as Joe Solberg) |
Laura Stride | .. | driver |
John Sundby | .. | driver |
Bernard 'Ski' Szymanski | .. | driver |
Mike Toston | .. | driver |
Michael Trottochau | .. | driver (as Michael Trottocham) |
J. Armin Garza II | .. | driver: camera car (uncredited) |
John Petty | .. | driver: second unit (uncredited) |
Rick Wiley | .. | driver: camera car (uncredited) |
Keegan Zall | .. | driver: cast (uncredited) |
Other crew
Raza Ahmad | .. | intern: Academy of Motion Picture Arts and Sciences |
Noor Ahmed | .. | production legal |
Brian Amlin | .. | production associate: second unit |
Dee Dee Anderson | .. | choreographer |
Lynell Bangs | .. | production accountant: additional photography |
Karen Barna | .. | business affairs/legal |
Annica Bellander | .. | marketing manager |
Karla Benson | .. | medic: second unit |
Steve Berens | .. | animal wrangler: additional photography |
Gillian Bohrer | .. | production executive |
Robbie Bolick | .. | designer: PIC |
Marcin Borkowski | .. | production assistant |
Barbara Brown | .. | script supervisor: second unit |
Stephan Burle | .. | designer: PIC |
Jason Campbell | .. | medic |
Emmy Castlan | .. | assistant: Ms. Rosenfelt (as Emmy Castlen) |
John Charles | .. | software manager: Sony DAC |
Sarah Coatts | .. | co-producer: PIC |
Matthew Cohen | .. | assistant: Mr. Godfrey |
Chris Coogan | .. | designer: PIC |
Sarah Crauder | .. | office production assistant |
Michael Crockett | .. | office production assistant |
Cody D'Ambrosio | .. | set production assistant |
Brad Davis | .. | production accountant (as R. Bradley Davis) |
Brittnee Dewald | .. | craft service: second unit |
Lorraine Dowty | .. | payroll clerk |
Sarah Duryea | .. | production intern |
Susan Brady Dyson | .. | production secretary |
Steven Eddy | .. | physical production executive |
Katie Eustermann | .. | second assistant accountant |
Erik Feig | .. | production executive |
Duncan Ferguson | .. | office production assistant |
Julio Ferrario | .. | creative supervisor: PIC |
Megan Ferren | .. | office production assistant |
Susan Funk | .. | additional craft service assistant |
Marc C. Geschwind | .. | extras coordinator |
Erica Getler | .. | additional set production assistant |
Carolyn Golden | .. | production assistant |
Pamela B. Green | .. | producer: PIC |
Julie Hansen | .. | post production accountant |
Jim Hartz | .. | studio teacher |
Lauren Henry | .. | animal trainer |
Kieran Henthorn | .. | additional set production assistant: second unit |
Lewis Herrera | .. | assistant production coordinator |
Shelly Heyward | .. | production assistant |
Art Hickman | .. | marine coordinator |
Robert S. Hoffman | .. | set production assistant (as Rob Hoffman) |
Wendy Jessen | .. | aerial coordinator |
Marisol Jiménez | .. | second assistant accountant (as Marisol Jimenez) |
Eric Johnson | .. | office production assistant |
Quanita Johnson | .. | production finance assistant |
Bev Kadow | .. | boat wrangler |
Lloyd L. Kadow | .. | boat wrangler |
Jamie Kemp | .. | chef |
Ashley Kravitz | .. | clearance coordinator |
Adam Kulick | .. | representative: Goldcrest Pictures Limited |
Rose Leiker | .. | set production assistant |
Devan Linforth | .. | set production assistant |
Marcus Lucas | .. | stand-in |
Sean Ludeman | .. | stand-in: Robert Pattinson |
Adam Markle | .. | production assistant |
Cathy Marshall | .. | payroll accountant |
Traci Martin | .. | first assistant accountant |
Amber Mazzamuto | .. | assistant: Mr. Morgan |
Shane McCarthy | .. | production assistant: second unit |
Devlin McCluskey | .. | second assistant to Mr. Morgan |
Kristi McConnell | .. | construction accountant: additional photography |
Mary McDonald-Lewis | .. | dialect coach |
Linda McGinnis | .. | first unit medic (as L. McGinnis) / medic (as L. McGinnis) |
Lisa McNeil | .. | script supervisor: additional photgraphy |
Tony Murphy | .. | representative: Goldcrest Pictures Limited |
Brian Nailing | .. | cook |
Kyndi Niquette | .. | photo double: Rachelle Lefevre |
David B. Oliver | .. | production finance |
Mike Page | .. | production assistant |
Harley Pasternak | .. | personal trainer |
Adam Perrigan | .. | set production assistant |
Myleshia Perryman | .. | assistant: Ms. Imperato Stabile |
Francis Pfitzner | .. | production staff: intern |
Ken Potts | .. | set production assistant |
Danielle Poudrier | .. | production assistant |
Katie Powers | .. | photo double: Kristen Stewart |
Michael Prokop | .. | chef |
Aurora Ann Quinones | .. | production assistant: reshoots |
Katie Rasmussen | .. | production assistant |
Benjamin R. Reder | .. | production legal counsel |
Russ Riggins | .. | production financing: Comerica Entertainment Group |
Sam Ross | .. | craft service: second unit |
Bill Rowe | .. | baseball advisor |
Jackson Rowe | .. | production assistant: second unit |
Jason Ruffolo | .. | additional production assistant: second unit |
Jule 'Dude' Rustemeier | .. | death consultant |
Mika Saito | .. | production coordinator |
Rey-Phillip Santos | .. | production assistant |
Taylor Saxon | .. | key medic |
Tara A. Senior | .. | production legal counsel |
Geoff Shaevitz | .. | production executive |
Ann Shimabukuro | .. | set production assistant |
Kevin G. Shipley | .. | production assistant |
Peter J. Silbermann | .. | unit publicist |
Bret Slater | .. | production secretary: additional photography |
Roland Sonnenburg | .. | animal trainer |
Todd Steiner | .. | production financing |
Faith Strongheart | .. | assistant production coordinator |
Heidi Sturdevant | .. | script supervisor: second unit |
E. Thompson | .. | production executive / production executive: Maverick Films |
Michael Thompson | .. | production assistant |
Judi Townsend | .. | script supervisor |
Shermagne Umali | .. | production assistant |
Ryan Van Riper | .. | assistant accountant |
Jarik Van Sluijs | .. | creative supervisor: PIC |
Chanda Venable | .. | production assistant |
Anthony Walters | .. | representative: Goldcrest Pictures Limited |
Benn Wiebe | .. | assistant to producer |
David Williams | .. | assistant craft service |
Patsy Williams | .. | craft service |
Tim Williams | .. | wolves trainer |
Derek Wilson | .. | production assistant |
Ryan Windsor | .. | medic |
Donald E. Wygal | .. | production coordinator: additional photography (as Donald Wygal) |
Sharyn Yau | .. | publicity and marketing |
Ed Yonaitis | .. | office production assistant |
Jason Zorigian | .. | production coordinator: second unit |
Wes Murphy | .. | stand-in: Robert Pattinson (uncredited) |
Regan B. Pederson | .. | legal intern (uncredited) |
Audrey Walker | .. | stand-in (uncredited) |
Thanks
Brian Zarate | .. | very special thanks |